A motion design presentation for Domus Academy’s APAC alumni, built as a flexible kit with a clean structure, smooth transitions, and easy updates for future editions.

For about two months I collaborated with Elis Copenhagen to shape their social presence through reels and photography. I planned, shot, edited, and added motion-led details to create content that feels fast and native to Instagram - while building a consistent visual language the brand could reuse and grow with.

I reached out to Mikkeller, pitched a seasonal idea, and they welcomed it. The result is a social-friendly spot with Henry & Sally and a twist: “Don’t Worry Be Happy” became “Don’t Worry Be Hoppy.”

This project was a sprint: an improvised campaign built at the last minute with Nova and a great crew. MESSYWEEKEND is a Copenhagen-based eyewear brand that mixes Scandinavian clarity with a little humor, and even backs environmental clean-up initiatives. I focused on creative direction, naming, typography, and overall appeal, while helping push the edit and visual effects across the finish line.

A “for fun” campaign for an iconic old product. I treated the iPod Shuffle as more than a music container: once it’s on, the outside noise fades, and you get to design the mood in your head-one track at a time.

This is my BTS edit for BRIGHT POISON, a high-concept fashion shoot that later ran as an editorial on L’Officiel Baltic. I took Andrea’s backstage footage and pushed it into a bold, chaotic-clean reel: heavy editing, motion/VFX, and punk-style SFX that make the process feel as intense as the final images.

A live night at Carmen Town in Brescia became a full live-session video. I collected raw footage filmed by friends, rebuilt the audio with Stefano, and shaped it into a watchable, structured piece, color-coding each song and hiding small easter eggs along the way.

A modular motion design system built for Fan Outfitters’ USA campaign, designed to make asset-swapping fast and safe. The toolkit generated multiple localized outputs (one per U.S. state/store area) and multiple formats for different channels: vertical, horizontal, and 1:1.

A full Twitch asset package created for “I Phrocioni,” including stream overlays and animated graphics developed in collaboration with an illustrator. The launch also included a high-energy trailer written by Nicola Maggi and Bagoleen with multiple Twitch Italy guest appearances; the project lasted one week due to a permanent ban :))))

Self-initiated rebrand for JLOUNGE, a Copenhagen workshop that restores design furniture. I created a Scandinavian ’70s identity system, designed stationery and social templates, and developed a standout foldable business card shaped like a bench.

A rebranding funnel created for Pecasu’s transition toward Share Goals: naming direction, values and tone-of-voice alignment, and a clean visual identity based on the fan–club–sponsor triangle. Includes early website mockups and initial social format explorations designed to be accessible and scalable.

Camooosodaosdoasodosadsaodosao sdasd dsa dasd as d asdas d a dasdad
sada

A full rebrand for Vermix: I aligned the brand foundations, designed a flexible identity system, delivered a complete stationery ecosystem, and refreshed social communication with a cleaner, consistent language

Rebranding work for GDMI: strategic and tonal alignment translated into a clean identity system, centered on a custom Eurostile-to-stencil typographic voice and a disciplined, accessible visual language.

A concept for the 2023 D&AD New Blood Awards: a new “Top Floor” section on eBay accessible by scrolling upward from the homepage, designed to highlight and sell the platform’s weirdest/most unique items, supported by a TikTok pitch activation for sellers (#eBayTopFloorPitch).

A social media launch challenge for Diablo IV built around a simple, viral mechanic: “bring out the Devil” by filming pranks against friends who play games other than Diablo, tagged #WTH. The project won Bronze at ADCI Awards 2023 in Studenti – Experience.

A typography-led brand concept developed for the course Visual Design Methodology 2, built starting from Garamond. The project imagines a pocket-sized A5 magazine with a wearable brand book, a community-driven poster platform, and a full identity system across print, stationery, and digital applications.

A fashion photography project developed during an IED Milano course, using UNMADE as a reference brand. The shoot combines wide-angle fashion framing with visible studio space to communicate both style and the brand’s focus on technical customisation and on-demand product creation.

Video production support for the second season of JEANTOERIA, a podcast hosted by Antonio Giorgino (aka Giovanetony). Work included set setup, lighting, multi-camera video editing, and collaboration on audio production, excluding guest outreach and episode rundown planning.